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DOBRYNIN
FEDOTOV
KHAILOV
KOROTEYEV
KOZLOV
SEGAL
SHCHEGLOV
SHEGAL
STOYANOVA
TERPSIKHOROV
TUTEWOL
VLADIMIRSKY
ZELENSKY ALEXANDR
ZELENSKY BORIS
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MODERN ART
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"New Gallery" Art Funds, established in 1989 in Moscow, specializes in Soviet art of 1920-50s. The principal programme of the Art Funds is to revive and reveal the artists' names, which were undeservedly forgotten for different reasons and were not duly appreciated in their time. The period of 1930-50s is not well known by art admirers and did not have proper professional reviews.

Everyone is familiar with the term "Socialist Realism", which is associated with the official art of totalitarian Stalin epoch. Still there were artists that belonged to the same art school, but had informal works, that remained unknown to the public.

  1. MAIN TENDENCIES
    • Avant-Garde.1920-30s.
    • Official art. Socialist Realism.1932-1962.
    • Romanticism of Socialist Realism. The Other Side of the Coin. 1932-1962.
  2. MAIN EXHIBITORS
    • DOBRYNIN Pyotr Semyonovich (1876-1948)
    • KICHIGIN Mikhail Alexandrovich (1883-1968)
    • KOROTEYEV Vasily Andreyevich (1906-1969)
    • KOZLOV Vyacheslav Nikolayevich (1923-199?)
    • SEGAL Alexandr Israilevich (1905-1971)
    • SHCHEGLOV Valerian Vasilyevich (1901-1984)
    • SHEGAL Grigory Mikhailovich (1889-1956)
    • STOYANOVA Olga Fyodorovna (190?-194?)
    • TERPSIKHOROV Nikolai Borisovich (1890-1960)
    • TUTEWOL Klavdia Alexandrovna (1917-1980)
    • VLADIMIRSKY Boris Yeremeyevich (1878-1950)
    • ZELENSKY Alexandr Nikolayevich (1882-1942)
    • ZELENSKY Boris Alexandrovich (1914-1984)
  3. MAIN EXHIBITION PROJECTS
    • Soviet Underground Art of 1930-50s. Moscow, Russia, International Centre of Commerce. 1989;
    • Socialist Realism Art of 1930-50s. Moscow, Russia, Manege Exhibition Centre, Exhibition Art-Myth'91. 1991;
    • Pre-and after-War Woman's Portrait. Moscow, Russia, The Central House of Arts, Exhibition Art-Myth'92. 1992;
    • The Image of a Woman in the Soviet Artists' Works of 1930-50s. Moscow, Russia, Manege Exhibition Centre, Exhibition Art-Myth'93. 1993;
    • Boris Vladimirsky. The Artist and His Time. Vienna, Austria, "Karenin's Gallery".1995.
    • The Romanticism of Socialist Realism: The Other Side of the Coin. In cooperation with the Ministry of Culture of the Russian Federation and the State Museum and Exhibition Centre ROSIZO. Moscow, Russia, The Exhibition Hall "Na Solyanke". 1995;
    • Sketch, Study, Outline. Moscow, Russia, The Central House of Artists, Exhibition Art-Moscow'96. 1996;
    • The Zelenskys, Father and Son. Moscow, Russia, Manege Exhibition Centre, Exhibition Art-Manege'97. 1997;
    • The Crimea - the Favorite Vocation Place for the Moscovites. Moscow, Russia, Manege Exhibition Centre. 1998;
    • The Romanticism of Socialist Realism. Project N2. Moscow, Russia, Manege Exhibition Centre. 1997-1998;
    • "Art-Direct" Fair. Barcelona, Spain. 1998;
    • Art Object as a Part of the Interior. Moscow, Russia, The Central House of Architects. 1999;
    • From the Fund Assemblage. Moscow, Russia, Exhibition Centre, 1st International Exhibition "Intermuseum'99". 1999;
    • War Drawings by Valerian Shcheglov. Moscow, Russia, The Central House of Architects. 1999;
    • After War Woman's Portrait. Geneva, Switzerland, Euro-art. 1999.
Russia
103055, MOSCOW

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New Gallery
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Негосударственное некоммерческое учреждение культуры Художественный Фонд "Новая Галерея" создан в Москве 18 апреля 1989 года. Логотип официально зарегистрирован в Международном Реестре в 1990 году. Специализируется на советском искусстве Соцреализма 1920-1950х годов. Существует по принципу закрытой Галереи, где идет формирование и подготовка коллекций для дальнейших выставок, аукционов, а также оформления офисов и жилых интерьеров. Главная программа - возвращение незаслуженно забытых старых имен. Таким образом, вновь увидели свет работы Бориса Владимирского, Владимира Гремитских, Николая Терпсихорова, Василия Иванова, Анатолия Талалаева и многих других. Каждый знаком с термином "Социалистический Реализм", который связан с официальным искусством тоталитарной эпохи Сталина. Были художники, которые принадлежали той же самой художественной школе, но имели неофициальные работы, которые оставались неизвестными публике. ГЛАВНЫЕ ТЕНДЕНЦИИ ГЛАВНЫЕ ЭКСПОНЕНТЫ